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Keith Arnatt (1930 – 2008) was an artist. Arnatt's work is referred to by the art historian Charles Townsend Harrison as " ... developing during the mid '60s from a concern with Minimal paintings and sculptures posing gestalt problems, through involvement with elements of behaviour and performance to works often sited out of doors involving suspension or interruption of the spectator's expectations."〔'Art as Idea', Victoria and Albert Museum, 1970〕 Arnatt's works, associated with conceptual art〔"(Six Years,The Dematerialization of the Art Object from 1966 to 1972 )", Lucy Lippard〕〔"(In & Out of Amsterdam: Travels in Conceptual Art )", 1960-1976, Cristoph Cherix〕 came to prominence in the late 1960s. A number of works from this period, including ''Self-Burial (Television Interference Project)'' (1969) and ''Trouser-Word Piece'' (1972-89 version) are in the Tate collection.〔"(Self-Burial (Television Interference Project) 1969 )" Tate〕〔"(Trouser-Word Piece (1972-89 version) )" Tate〕 Arnatt took part in a number of influential exhibitions of conceptual art including 'Konzeption-Conception, Städtichen Museum, Leverkusen', 1969; 'Information', Museum of Modern Art, New York, 1970; 'Umwelt-Akzente / Die Expansion der Kunst', Kunstkreis Monschau, 1970 and 'Art as Idea in England', CAYC (Centro de Arte y Comunicación), Buenos Aires, 1971. In the late 1970s and during the 1980s Arnatt produced photographic series including portraits and landscape works. ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Keith Arnatt」の詳細全文を読む スポンサード リンク
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